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   ヒーリング・ニューエイジ の売れ筋最新ランキング   [2017年11月24日]
2017年11月24日(金) ヒーリング・ニューエイジの第1位は 『Everything & Nothing』!
3ページ中 1ページ目を表示しています (110件) あとで携帯で見る



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Everything & Nothing
David Sylvian  
¥ 18,722(税込)
ジャンル内ランキング:357746位  


Amazonレビュー
Following 1999's Dead Bees On A Cake, Everything and Nothing is a collection of singles, live sessions and oddities from the David Sylvian back catalogue. Since severing connections with cult 1970s/80s band, Japan, Sylvian has continued to probe the underbelly of rock/pop with often arresting results. Many of the songs here have been reworked for this collection but these updated interpretations don't detract from any of the tender, deeply melancholic poetry of the originals. A serial collaborator, Everything and Nothing draws upon material from all his albums, including 1991's Rain Tree Crow (with Japan members Richard Barbieri and Steve Jansen), the 1986 Ryuichi Sakamoto album Heartbeat and 1989's Secrets Of The Beehive. In a wonderful coup for cult followers, Everything and Nothing also features the complete version of the lost Japan tune "Some Kind Of Fool", intended for Gentlemen Take Poloraids. However, as so much of what Sylvian achieved with Japan was built on artifice, it is refreshing to hear him in a stripped down arena. The opening "The Scent of Magnolia"--part electronica, part rock--glides with a subtlety and nous that puts many practitioners in both fields to shame, while "Albuquerque" sustains a gorgeous balance between conceptual boldness and engaging melody. Everything and Nothing is a good way to sample and celebrate Sylvian in shape-shifting form. He ducks in and out of focus, between rugged ballads (the infamous "Ghosts"), avant-garde jazz ("God's Monkey") and--on a couple of tracks where the multi-instrumental backing is dropped for synthesisers--a successful glossy pop. --Maxine Kabuubi くちコミ情報を見る



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Henry Mancini  
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ジャンル内ランキング:498478位  


Amazonレビュー
Henry Mancini's response to the lounge-music fad whose beginnings coincided with his 1994 death is unknown, but his place near its center is hard to deny. The Days of Wine and Roses collects three CDs of often wonderful melodies (particularly on the composer's early work) and occasionally less-striking work-for-hire (the theme from What's Happening!). Irony aside, this box's soothing qualities and playful jazziness are worth investigating. --Rickey Wright くちコミ情報を見る



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¥ 5,816(税込)
ジャンル内ランキング:81383位  


Amazonレビュー
Kenton remains even today a controversial figure in jazz, partly because of his achievements, partly because of his pretensions. His was the most classical of modern jazz big bands, the least influenced by the black originators of the music--or by his black contemporaries for that matter. The 1941 radio broadcast opening this box premières Kenton's own Glenn Miller-influenced "Suite For Saxophones". This direct imitation has been well assimilated into Kenton's more astringent mature style by the time of 1943's "Eager Beaver" and the other early hits, but it is the starting point. This boxed set concentrates strongly on the years 1946 to 1947, Kenton's peak in terms of chart-hit popularity, ending with the recording ban of late 1947 and the subsequent break-up of the Progressive Jazz Orchestra the following year. Kenton would go on to greater and wilder musical dreams and triumphs, always taking a fanatically loyal audience with him however far out he went, but his days of mass popularity were over. This is a convenient and well-presented documentation of the main highlights of Kenton's first great decade as a bandleader, though I have heard better 78rpm transfers elsewhere. --Keith Shadwick くちコミ情報を見る



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3ページ中 1ページ目を表示しています (110件)
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