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   ヒーリング・ニューエイジ の売れ筋最新ランキング   [2017年09月24日]
2017年09月24日(日) ヒーリング・ニューエイジの第1位は 『Everything & Nothing』!
3ページ中 1ページ目を表示しています (110件) あとで携帯で見る



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Everything & Nothing
David Sylvian  
¥ 17,629(税込)
ジャンル内ランキング:200392位  


Amazonレビュー
Following 1999's Dead Bees On A Cake, Everything and Nothing is a collection of singles, live sessions and oddities from the David Sylvian back catalogue. Since severing connections with cult 1970s/80s band, Japan, Sylvian has continued to probe the underbelly of rock/pop with often arresting results. Many of the songs here have been reworked for this collection but these updated interpretations don't detract from any of the tender, deeply melancholic poetry of the originals. A serial collaborator, Everything and Nothing draws upon material from all his albums, including 1991's Rain Tree Crow (with Japan members Richard Barbieri and Steve Jansen), the 1986 Ryuichi Sakamoto album Heartbeat and 1989's Secrets Of The Beehive. In a wonderful coup for cult followers, Everything and Nothing also features the complete version of the lost Japan tune "Some Kind Of Fool", intended for Gentlemen Take Poloraids. However, as so much of what Sylvian achieved with Japan was built on artifice, it is refreshing to hear him in a stripped down arena. The opening "The Scent of Magnolia"--part electronica, part rock--glides with a subtlety and nous that puts many practitioners in both fields to shame, while "Albuquerque" sustains a gorgeous balance between conceptual boldness and engaging melody. Everything and Nothing is a good way to sample and celebrate Sylvian in shape-shifting form. He ducks in and out of focus, between rugged ballads (the infamous "Ghosts"), avant-garde jazz ("God's Monkey") and--on a couple of tracks where the multi-instrumental backing is dropped for synthesisers--a successful glossy pop. --Maxine Kabuubi くちコミ情報を見る



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Stan Kenton Story
Stan Kenton  
¥ 6,174(税込)
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Amazonレビュー
Kenton remains even today a controversial figure in jazz, partly because of his achievements, partly because of his pretensions. His was the most classical of modern jazz big bands, the least influenced by the black originators of the music--or by his black contemporaries for that matter. The 1941 radio broadcast opening this box premières Kenton's own Glenn Miller-influenced "Suite For Saxophones". This direct imitation has been well assimilated into Kenton's more astringent mature style by the time of 1943's "Eager Beaver" and the other early hits, but it is the starting point. This boxed set concentrates strongly on the years 1946 to 1947, Kenton's peak in terms of chart-hit popularity, ending with the recording ban of late 1947 and the subsequent break-up of the Progressive Jazz Orchestra the following year. Kenton would go on to greater and wilder musical dreams and triumphs, always taking a fanatically loyal audience with him however far out he went, but his days of mass popularity were over. This is a convenient and well-presented documentation of the main highlights of Kenton's first great decade as a bandleader, though I have heard better 78rpm transfers elsewhere. --Keith Shadwick くちコミ情報を見る



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Henry Mancini  
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ジャンル内ランキング:775708位  


Amazonレビュー
Henry Mancini's response to the lounge-music fad whose beginnings coincided with his 1994 death is unknown, but his place near its center is hard to deny. The Days of Wine and Roses collects three CDs of often wonderful melodies (particularly on the composer's early work) and occasionally less-striking work-for-hire (the theme from What's Happening!). Irony aside, this box's soothing qualities and playful jazziness are worth investigating. --Rickey Wright くちコミ情報を見る



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Dr. Samuel J. Hoffman and the Theremin
Samuel J. Hoffman  
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ジャンル内ランキング:894972位  


Amazonレビュー
Originally released as a series of 78 rpm recordings for Capitol in the late 1940s, this set collects the work of Dr. Samuel J. Hoffman, the leading theremin virtuoso of his age. After adding theremin to a number of successful films (most notably, Spellbound, The Lost Weekend, and The Day the Earth Stood Still), Hoffman (a podiatrist by profession) teamed with British composer Harry Revel. The result: three albums that introduced this oddly provocative instrument to the world. On Music Out of the Moon, the tone is optimistic futurism with Hoffman guiding his instrument through dramatic swoops across the universe while an enthusiastic chorus oohs and ahhs at the wonder of it all. With tracks like "Lunar Rhapsody", "Mist O' the Moon," and "Radar Blues", Moon may be the most unintentionally hilarious disc in the set. The second disc, Perfume Set to Music was, according to the liner notes, inspired by "world famous perfumes." The music, of course, is as ridiculous as the concept. The chorus remains on Perfume, but the mood is a bit more sedate, stepping away from futuristic jazz and utilizing more string arrangements. On Music for Peace of Mind, listeners are instructed that "This music has a message, if you will open your mind and heart to receive it. Turn down the lights, relax in an easy chair, and listen. Then, for a few stolen hours, perhaps you will warm to happy memories and blissful hopes." Oh, you will, all right, you will. --S. Duda くちコミ情報を見る



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Stan Kenton
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Henry Mancini
Henry Mancini  
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くちコミ情報を見る
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