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   Authors, A-Z の売れ筋最新ランキング   [2017年11月24日]
2017年11月24日(金) Authors, A-Zの第1位は 『The Remains of the Day - Was vom Tage uebrigblieb』!
19,055ページ中 1ページ目を表示しています (110件) あとで携帯で見る


The Remains of the Day - Was vom Tage uebrigblieb
Kazuo Ishiguro James Bean (編集)  
¥ 1,184(税込)
¥ 929(税込)
在庫あり。
ジャンル内ランキング:30457位  
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関連のオススメ商品
The Remains of the Day
The Buried Giant
When We Were Orphans
A Pale View of Hills
わたしを離さないで (ハヤカワepi文庫)
An Artist of the Floating World
Nocturnes: Five Stories of Music and Nightfall
日の名残り (ハヤカワepi文庫)
The Unconsoled
わたしを離さないで [DVD]
Never Let Me Go
Kazuo Ishiguro  
¥ 1,302(税込)
(税込)
ジャンル内ランキング:29398位  


商品説明
『日の名残り』『私たちが孤児だったころ』で高い評価を得た作家が送る、感動的な小説。心に残る友情と愛の物語の中で、世界と時間を巧みに再創造してみせる。

現在31歳のキャシーは、イギリスの美しい田園地方ヘールシャムの私立学校で、子ども時代を過ごした。そこでは子どもたちは外界から保護され、自分たちは特別な子どもで、自分たちの幸せは自身だけでなく、やがて一員となる社会にも、非常に重要だと教えられていた。キャシーはこの牧歌的な過去とはずいぶん昔に決別したが、ヘールシャム時代の友人二人と再会して、記憶に身をまかせることにする。

ルースとの交友が再燃し、思春期にトミーに熱を上げた思いが恋へと深まりはじめる中、キャシーはヘールシャムでの年月を思い返す。外界から隔絶された穏やかさと心地よさの中、少年少女がともに成長する幸せな場面を、彼女は描写する。だが、描写はそんな場面だけではない。ヘールシャルムの少年少女育成のうわべに隠れた、暗い秘密を示唆する不調和や誤解。過去を振り返ってはじめて、3人は自分たちの子ども時代と現在の生き方の真実が見え、それに対峙せざるを得なくなる。

『Never Let Me Go』は単純に見える物語だが、そこに徐々にあらわにされていくのは、驚くべき深さで共鳴する感情だ。カズオ・イシグロの最高作にあげられるだろう。
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関連のオススメ商品
The Remains of the Day
When We Were Orphans
Never Let Me Go
A Pale View of Hills
An Artist of the Floating World
Nocturnes: Five Stories of Music and Nightfall
The Unconsoled
忘れられた巨人 (ハヤカワepi文庫)
日の名残り (ハヤカワepi文庫)
忘れられた巨人
The Buried Giant
Kazuo Ishiguro  
¥ 1,346(税込)
¥ 1,179(税込)
在庫あり。
ジャンル内ランキング:45位  


Product Description
新品です。 くちコミ情報を見る



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An Artist of the Floating World
The Remains of the Day
When We Were Orphans
Nocturnes: Five Stories of Music and Nightfall
The Buried Giant
The Unconsoled
Never Let Me Go
遠い山なみの光 (ハヤカワepi文庫)
浮世の画家 (ハヤカワepi文庫)
日の名残り (ハヤカワepi文庫)
A Pale View of Hills (Thorndike Large Print General Series)
Kazuo Ishiguro  
¥ 2,824(税込)
¥ 22,254(税込)
ジャンル内ランキング:2710752位  
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Stephen King  
(税込)


内容紹介
Now a major motion picture
Stephen King’s terrifying, classic #1 New York Times bestseller, “a landmark in American literature” (Chicago Sun-Times)—about seven adults who return to their hometown to confront a nightmare they had first stumbled on as teenagers…an evil without a name: It.

Welcome to Derry, Maine. It’s a small city, a place as hauntingly familiar as your own hometown. Only in Derry the haunting is real.

They were seven teenagers when they first stumbled upon the horror. Now they are grown-up men and women who have gone out into the big world to gain success and happiness. But the promise they made twenty-eight years ago calls them reunite in the same place where, as teenagers, they battled an evil creature that preyed on the city’s children. Now, children are being murdered again and their repressed memories of that terrifying summer return as they prepare to once again battle the monster lurking in Derry’s sewers.

Readers of Stephen King know that Derry, Maine, is a place with a deep, dark hold on the author. It reappears in many of his books, including Bag of Bones, Hearts in Atlantis, and 11/22/63. But it all starts with It.

“Stephen King’s most mature work” (St. Petersburg Times), “It will overwhelm you… to be read in a well-lit room only” (Los Angeles Times).
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Kurt Vonnegut  
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ジャンル内ランキング:51118位  
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関連のオススメ商品
Never Let Me Go (English Edition)
The Buried Giant (English Edition)
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A Pale View of Hills (English Edition)
An Artist of the Floating World (Vintage International)
An Artist of the Floating World (Faber Fiction Classics) (English Edition)
When We Were Orphans
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Nocturnes: Five Stories of Music and Nightfall (English Edition)
Kazuo Ishiguro  
(税込)


内容紹介

From the Nobel Prize-winning author of The Remains of the Day and Never Let Me Go

In Nocturnes, Kazuo Ishiguro explores the ideas of love, music and the passing of time. From the piazzas of Italy to the 'hush-hush floor' of an exclusive Hollywood hotel, the characters we encounter range from young dreamers to café musicians to faded stars, all of them at some moment of reckoning.

Gentle, intimate and witty, this quintet is marked by a haunting theme: the struggle to keep alive a sense of life's romance, even as one gets older, relationships founder and youthful hope recedes.

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When We Were Orphans
Kazuo Ishiguro  
(税込)


内容紹介
British writer Kazuo Ishiguro won the 1989 Booker Prize for The Remains of the Day, which sold over a million copies in English alone and was the basis of a film starring Anthony Hopkins. Now When We Were Orphans, his extraordinary fifth novel, has been called “his fullest achievement yet” (The New York Times Book Review) and placed him again on the Booker shortlist. A complex, intelligent, subtle and restrained psychological novel built along the lines of a detective story, it confirms Ishiguro as one of the most important writers in English today. London’s Sunday Times said: “You seldom read a novel that so convinces you it is extending the possibilities of fiction.”

The novel takes us to Shanghai in the late 1930s, with English detective Christopher Banks bent on solving the mystery that has plagued him all his life: the disappearance of his parents when he was eight. By his own account, he is now a celebrated gentleman sleuth, the toast of London society. But as we learn, he is also a solitary figure, his career built on an obsession. Believing his parents may still be held captive, he longs to put right as an adult what he was powerless to change as a child, when he played at being Sherlock Holmes — before both his parents vanished and he was sent to England to be raised by an aunt.

Banks’ father was involved in the importation of opium, and solving the mystery means finding that his boyhood was not the innocent, enchanted world he has cherished in memory. The Shanghai he revisits is in the throes of the Sino—Japanese war, an apocalyptic nightmare; he sees the horror of the slums surrounding the international community in “a dreamscape worthy of Borges” (The Independent). “We think that if we can only put something right that went a bit awry, then our lives would be healed and the world would be healed,” says Ishiguro of the illusion under which his hero suffers.

It becomes increasingly clear that Banks is not to be trusted as a narrator. The stiff, elegant voice grows more hysterical, his vision more feverish, as he comes closer to the truth. Like Ryder of The Unconsoled, Ishiguro’s previous novel, Banks is trapped in his boyhood fantasy, and he follows his obsession at the cost of personal happiness. Other characters appear as projections of his fears and desires. All Ishiguro’s novels concern themselves with the past, the consequences of denying it and the unreliability of memory.

It is from Ishiguro’s own family history that the novel takes its setting. Though his family is Japanese, Ishiguro’s father was born in Shanghai’s international community in 1920; his grandfather was sent there to set up a Chinese branch of Toyota, then a textile company. “My father has old pictures of the first Mr. Toyota driving his Rolls-Royce down the Bund.” When the Japanese invaded in 1937, the fighting left the international commune a ghetto, and his family moved back to Nagasaki.

When We Were Orphans raises the bar for the literary mystery. Though more complex than much of Ishiguro’s earlier work, which has led to mixed reactions, it was published internationally (his work has been published in 28 languages) and was a New York Times bestseller.
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19,055ページ中 1ページ目を表示しています (110件)
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